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WWIII

What is going on

By Dagmar GoeschickPublished about 6 hours ago 4 min read

I don’t know if this is the beginning of something or if the beginning has already passed us by without ceremony.

Maybe it started quietly, somewhere between a morning commute and a late-night headline no one fully read. Maybe it didn’t feel like a beginning at all—just another day where gas prices crept higher, where another company shut its doors, where another young person signed a contract they barely understood.

Or maybe we are already inside it.

Some people whisper the word "WWIII" now, not loudly, not in full sentences, but in fragments—like something too heavy to carry all at once. Others refuse to say it at all, as if naming it would make it real.

The world doesn’t announce its turning points anymore. It hums through them. Softly. Relentlessly.

We wake up, check the news, and scroll past conflict after conflict. Different places, different flags, but the same images. Smoke. Lines of people. Words like “escalation,” "response," and “necessary.” We listen, but not really. There’s coffee to make. There’s work to get to. There are bills waiting.

Normal. Everything is still normal.

Except it isn’t.

On the drive to work, the numbers at the gas station flicker again, higher than yesterday. Not by much—but enough. Enough to notice. Enough to feel that quiet tightening in the chest. But still, you fill the tank. You have to.

Work feels different now. Not worse, not yet—but thinner somehow, like something underneath it has been hollowed out. Conversations are shorter. People glance at their phones more often. Someone mentions layoffs in another company, another industry. It’s always somewhere else. For now.

“For now” has become the most common phrase no one says out loud.

At lunch, someone laughs about how expensive everything has gotten. It’s the kind of laugh that ends too quickly. Another person shrugs and says it will pass.

Things always pass.

But not everything does.

In the evening, the news plays again. War is discussed like weather—something happening somewhere else. Something that hasn’t reached us.

Not yet.

We sit on couches, phones in hand, half-listening, half-escaping. Music fills the gaps. Old songs, mostly. Songs that seem to belong to a time when people believed more in what was ahead.

And then there are the movies we return to, over and over, as if they hold some kind of map.

Das Boot plays again somewhere, the claustrophobic tension of men waiting in steel and silence beneath the surface, never knowing when the next depth charge will come.

The Lord of the Rings flickers across another screen, where the world once stood on the edge of darkness and still believed that courage, somehow, would be enough.

We watch them not just for entertainment but also for recognition. For the feeling that others, even fictional ones, have stood at the edge of something vast and uncertain before.

The books line the shelves the same way they always have.

The Lord of the Rings, thick and patient, is waiting to be opened again.

Old novels. Historical accounts. Science fiction stories that once felt distant and imaginative—warnings or dreams that belonged to another time.

Now they feel closer.

Not because they predict anything clearly, but because they understand something about fear, about endurance, about the way people keep moving forward even when they don’t understand what they’re moving into.

Back then, everything seemed possible. Or at least, that’s how we remember it.

Travel the world. Build a life. Do something meaningful. That was the promise.

Now the promise feels…delayed.

People are tired in a way that sleep doesn’t fix. Bills stack up faster than paychecks. Some lose their homes. Others come close enough to feel the edge of it. Retired people begin to wonder if safety was ever real to begin with.

And still, we tell ourselves it’s not that bad.

We have to.

Because the alternative is too large to hold all at once. The idea that this—this slow tightening, this quiet erosion—is not temporary.

There’s a silence growing, not the absence of noise, but the absence of certainty. People don’t talk about it directly. Instead, it shows up in small ways: in pauses, in glances, in unfinished sentences.

Are you seeing this too?

No one asks.

Because once you say it out loud, it becomes harder to ignore.

Some nights, it feels like the world is holding its breath. Waiting for something to tip, to reveal itself fully.

Other nights, it feels like that moment has already come and gone, and we’re just moving through it, calling it life.

Maybe this is what a beginning looks like—not a clear line, not a bold step forward, but a slow, uneven drift. A feeling before a fact.

A question without an answer.

We stand at the edge of it, though it’s hard to tell where the edge begins.

Cars still move. Lights still turn on. Music still plays. People still go to work, still laugh, and still hope in small, quiet ways that things will steady.

But underneath it all, something else is moving. Not fast enough to panic.

Not slow enough to ignore.

Just enough to be felt.

And so we continue—half-aware, half-willing, facing forward… not because we know what’s ahead, but because somewhere, quietly, something has already begun.

family

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